What is great art? On the one hand, we can all see that great art is old art which is called great. But how do we know which art of our own times is great, and which will be forgotten? And who decides?
These are important questions, for the great art of the past often was not considered great during its own time. When Shakespeare and Charles Dickens were writing, for example, most critics considered them as hack (平庸的) writers with little or no literary ability.
Similarly, Van Gogh and many of the other Impressionist painters of the late nineteenth century were not allowed to participate in events involving what were thought to be the "real" painters of the time, and often they were very poor. Yet today their paintings often sell for millions of dollars, while those so-called "real" painters are now barely remembered.
So what makes great art? Can, for example, rock music be great art? Music videos? Cartoons and comics? Those who call themselves critics of the fine arts often have been the last to recognize great art in the past, and we can probably expect this to be the situation today.
Critics often don’t recognize great art because they tend to be prejudiced against what is popular. Popular works, whether they are novels, movies, or comics, are usually considered to be produced for the sake of money only, and not for the sake of art.
But popularity, it seems to me, is one of the three signs that a present-day work of art may come to be thought of as great. The other two are that it is groundbreaking, and that it is inherently (內(nèi)在的) beautiful.
Many works have one or even two of these qualities of being popular, unusual, and beautiful. But having all the three often will mean that a work of art will someday be seen to be great, though it may take a good spoonful of time, such as a century or two, to know for sure.
1.The first paragraph is intended to__________.
A.lead to the following and arouse the reader’s curiosity |
B.introduce some real painters to the readers |
C.introduce the questions the writer wants to answer |
D.explain what kind of art will become popular |
2.The author used the examples of Shakespeare, Charles Dickens and Van Gogh to prove _____.
A.these masters’ works have some shortcomings |
B.these masters wouldn’t have been so successful without the critics |
C.truly beautiful works of art are never understood when first created |
D.great masters are often not acknowledged while they were alive |
3.According to the author, great works _______.
A.may be presented in different forms |
B.a(chǎn)re generally valued by critics |
C.a(chǎn)re thought valuable because of their sale price |
D.will lose their value if they’re not accepted |
4.What can be inferred from the passage?
A.Critics have changed their attitudes to great works. |
B.Most of the opinions of critics are valueless. |
C.The work of art itself, not the critics, determines its greatness. |
D.Works of Impressionist painters will be great one day. |
1.A
2.D
3.A
4.C
【解析】文章論述了為什么藝術(shù)品是偉大的?
1.A 寫(xiě)作意圖題。文章的第一段正是為了引起下文,引起讀者的興趣,故A正確。
2.D 推理題。作者舉這幾個(gè)例子都是想向人們說(shuō)明很多偉大的藝術(shù)家在生前都沒(méi)有被承認(rèn)。
3.A 推理題。根據(jù)文章倒數(shù)第2段可知偉大的作品呈現(xiàn)的形式往往是多樣性的,要受人歡迎,要有內(nèi)在的美,還要groundbreaking,故A正確。
4.C 推理題。根據(jù)文章倒數(shù)3,4兩段可知批評(píng)家并不能決定一個(gè)作品的偉大與否,決定作品偉大與否的是藝術(shù)品本身。故C正確。
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科目:高中英語(yǔ) 來(lái)源: 題型:閱讀理解
The modern mobile phone is a more complex version of the two way radio, which was a very limited means of communication. As soon as the users moved out of range of each other’s broadcast area, the signal was lost. In the 1940s, researchers began experimenting with the idea of using a number of radio masts (天線塔) standing around the countryside to pick up signals from two-way radios.
The first real mobile telephone call was made in 1973 by Dr Martin Cooper, the scientist who invented the modern mobile handset. Within a decade, mobile phones became available to the public. The streets of modern cities began to feature sharpsuited characters shouting into giant plastic bricks. In Britain the mobile phone quickly became synonymous (等于) with the “yuppie”, the new breed of young urban professionals who carried the expensive handsets as status symbols. Around this time many of us swore that we would never, ever own a mobile phone.
But in the mid-90s, something happened. Cheaper handsets and cheaper calling rates meant that, almost overnight, it seemed that everyone had a mobile phone. And the giant plastic bricks of the 80s had evolved into smooth little objects that fitted nicely into pockets and bags. Cities suddenly had a new, postmodern birdsong.
Alexander Graham Bell would be amazed if he could see how far the science of telephony has progressed in less than 150 years. If he were around today, he might say: “That’s gr8! But I’m v busy rite now. Will call U 2nite.”
60.Modern mobile phone technology is based on .
A.the “yuppie” B.the Internet
C.the two way radio D.global positioning system
61.More people bought mobile phones in the 1990s because .
A.they were bad at timekeeping
B.they wanted to take photographs
C.mobile phones became a lot cheaper
D.traditional phones didn’t work anymore
62.The underlined word “evolved” in Paragraph 3 probably means .
A.broken B.changed C.cut D.taken
63.What does the text message “Gr 8! Will call U 2nite.” mean?
A.Great ! I’ll call you tonight.
B.Great! I’ll be two minutes late.
C.Great! Please call William tonight.
D.Great! Please call me sometime tonight.
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